Now, Gone In 60 Seconds is not a movie really worthy of beginning anything, much much less an entire brand-new millenium. However it’s very possible that, to understand action movie franchises in the decade that is the 2000’s, you need to start v Gone In 60 Seconds.

You are watching: Gone in 60 seconds master p

Not a franchise itself, thankfully, Gone In 60 secs saw it’s lane (pun intended) easily taken over by The Fast and The Furious.

But to be clear, Gone to be there first.

Released in June 2000, Gone beat TFATF to the beginning line by 12 months and pre-dated Ocean’s 11 – the stylistic paradigm because that pop-action Hollywood in the beforehand aughts – by 18 months.

The an ext you watch this man movie (not quite ridiculous or self-aware sufficient to be truly “good bad”), the an ext it proves itself emblematic of 00’s action-movie style.

There’s the white lady v dreads:

These glasses:

As viewed on TheGoldenCloset

But beyond fashion, Gone In 60 Seconds feels choose a bridge in between 90s and also 2000’s activity films, a bridge in between Bay and also Soderbergh.

Or in between Bay and Bay: Bad guys (1995) and Bad boys 2 (2003).

Or for that matter, Soderbergh and Soderbergh: Out of sight (1998) and Ocean’s 11 (2001)

Produced by, of course, Jerry Bruckheimer, Gone In 60 secs often feels favor it’s make the efforts to be Out the Sight: it’s got the sex-related chemistry thing it’s going because that (Jolie/Cage to Out that Sight’s Lopez/Clooney), the illicit activity angle, the cops and robbers stuff.


And wasn’t over there something v a automobile or a trunk in Out of Sight? Gone In 60 Seconds (and you may not believe this) is full the cars. So…that’s something.

But where Out that Sight to be smart and sexy, Gone in 60 Seconds is simply dumb and horny.

Now, there space moments wherein you think Gone In 60 Seconds to know what movie it is: the Cage/Jolie makeout dialogue, a few funny one-liners here and there, Cage’s moments of every out, wild-eyed Cageness. These room moments bordering on camp, bordering top top self-aware.

But it’s never continuous enough.

Two measures forward, one step back: a scene at a bar whereby Nicolas Cage desires a drink, however this other male was ordering, so now Angelina Jolie is so late on gaining this other guy his drink (because she’s also a bartender, of course), but then Nicolas Cage slams his hand on the tablet which scares this other guy, so Nicolas Cage apologizes and also offers to pay because that other guys drink, i beg your pardon the other man politely accepts, defusing every comic or violent tension, after i m sorry Angelina Jolie pours this various other guy’s drink and Nicolas Cage to walk away. Climate the other male says, “what around my drink?” and Jolie drinks the drink she simply poured for him and claims something like, “what about it?” and you’re just like, why the fuck did every that just happen?

As dumb and also sometimes-fun as it is, there space some important astonishing moments of forehead-slapping dumb-genius.

Usually as soon as something is bad, it’s boring. It’s slow, it’s predictable, it’s cliche. Gone In 60 Seconds is every those things, certainly.

But then there space moments in Gone where it is difficult to recognize what screenwriter Scott Rosenburg was also going for. It’s poor in a wild, nearly refreshing way.

I will allude out a couple of of these practically incomprehensible moments due to the fact that they space too lot fun, yet to it is in clear, not sufficient fun to watch the whole of Gone In 60 secs for.

Cage: and this “Calitri” is the one who’s after mine brother?

Other Guy: like stains on a mattress.

“Like stains top top a mattress” is no the answer to a question. It’s definitely not the answer to this question.

I mean, space stains “after” mattresses? even if stains room out over there chasing mattresses, is the brother the mattress? Is that the stain?

If the writer to be going because that something like, “does a be afflicted with shit in the woods” you would still word the response, “are there stains on a mattress?” and even that sucks.

Like, what about new mattresses? room we offering up on every one of them? all mattresses have actually stains no issue what, now?

You’d need to write, “like stains ~ above a highway motel mattress” and also even then: bad means to call someone your brother is being pursued by a gangster.

1st that 3 WTAF Dialogue moments in gone In 60 Seconds

From the constant techno music background (yes, all develops of EDM to be just referred to as “techno” by everyone in the year 2000), to the hacking scene through unreal visuals and also impossible accomplishments of hackery, come the casual dropping that “faggy” – this movie has actually all the turn-of-the-millenia-action-movie cliches anyone could ask for, and many, that no one inquiry for.

There’s a short sequence – around the 1 hour mark, after Nic Cage go his Nic Cage point (below), and also before “Lowrider” stops play – whereby the crew is breaking into a rooftop window.

The sequence is quintessential Soderbergh in Ocean’s: quick cuts, tracking shot, close ups of latches opening and also drills drilling. It’s sufficient to do you want more from Gone. and also then it’s gone, the scene over so quickly, unequal the movie itself i beg your pardon drags on come the 2 hour mark.

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Scott Caan In It

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Poster with Red-Orange Tint and People on It

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A southerly Rapper


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Ludacris in 2 quick 2 Furious
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Ocean’s 11:

George Clooney, Brad Pitt, Matt Damon, Julia Roberts, Bernie Mac.

Gone In 60 Seconds:

Nicolas Cage, Robert Duvall, Giovanni Ribisi, Angelina Jolie, Timothy Olyphant.

Pirates that the Carribean: The Curse that the black color Pearl

Johnny Depp, Keira Knightley, Orlando Bloom, Zoe Saldana, Geoffrey Rush.

A clock kind of favor in 24

(The biggest activity TV present of the decade, began the year ~ Gone In 60 Seconds. Both had clocks. Coincidence?)

Now, the 2000’s were full of part really great, high-end activity movies I’m no mentioning: The Dark Knight, stole Man, 300, Quantum that Solace.

But Gone In 60 Seconds is not in that tier. It’s in the kingdom of The Transporter, XXX, S.W.A.T.

And when compared to those aesthetics, and the aesthetics of non-alien-robots, non-fantasy franchises the the aughts, it’s clear that Gone is a leg from the 90s come the 00’s mid-to-low tier activity films.

Mirror Man and also principal-from-Boston Public kris McBride are talking around stealing cars.

Mirror male (played through T.J. Cross) renders fun the McBride because that wanting gloves come hide his fingerprints.

Mirror Man: Gloves? girlfriend don’t require gloves, this is the new age. Check this out.

Mirror opens up a box, pulls out tweezers, and also uses castle to apply jelly to McBride’s fingers, extending his fingertips. The 2 banter part more, and then…

Mirror Man: boy got skills right?

Mcbride: (daps up mirror Man) you look like a little ghetto smurf.

Bro. This eliminated me.

I’m sorry, however I couldn’t avoid rewinding, re-watching and laugh-crying come McBride’s shipment of the “ghetto smurf” line.

It’s hard to explain in text just how utterly inexplicable that last heat is.

“You look prefer a tiny ghetto smurf” is, ns checked, not solution to the question, “boy got an abilities right?”. Mirror male is attract yellow, no blue. He’s kind of short? ns guess smurfs space short? yet shortness is no in the optimal 2 of critical smurf traits. Blueness and also usage of the word “smurf” concerned mind.

It to be a moment of ridiculousness the you wish the movie had much more of, a minute that knows it’s ridiculous.

2nd that 3 WTAF Dialogue moment in gone In 60 Seconds

If you’re concerned around the usage of “ghetto” together a descriptor, i understand. However that’s just the guideline of the iceberg as soon as it concerns the racial politics of Gone In 60 Seconds.

The racial Politics

I did not suppose Gone In 60 Seconds to be the rich, cultural time-capsule the it is.

Like America in the year 2000, Gone In 60 Seconds fancies chin post-racial, and like all things that sophisticated themselves post-racial, it fails.

In terms of race Gone‘s an easy premise is that being “edgy” method having Black characters say thing about being Black.

In one doubly-troublesome scene we check out McBride in ~ his work job, control instructor. He’s berating a young asian woman around how bad of a driver she is. That lists multiple points she go wrong together a driver, basically says she doesn’t belong on the road, and also ends that with, “I can’t swim, I remain my black ass the end the pool” regarding say the neither that them have to do points that stereotypes speak they can’t.

The only Hispanic human being with a heat of conversation in the movie (a baby-faced Michael Pena, actually) threatens two members that the Nic Cage crew v a knife (“cut friend up”) after only about 15 seconds of display screen time.

Again, the writer is Scott Rosenburg, and also no, you’re no racist for assuming the Scott Rosenburg is White. Did he have help with punch-ups from a human of color? Not enough to provide them creating credits. Scott Rosenburg takes whole-ass obligation for every word in this script.

And there’s the scene whereby Nicolas Cage says, “aiight” to understand P.

Guys, it’s no that a White human says, “aiight” come a black color person.

In this situation, Johnny B has just ran into Nicolas Cage – in the scene I stated in “about the rappers” – and now Nicolas Cage and also Giovanni Ribisi space running away. Lock run right into a diner wherein a cop car is parked outside. This pressures Master P/ Johnny B come wait through his crew in their car.

So now you have actually a White criminal being protected by the police (oh yea, the totality story is around super good car-thief Nicolas Cage and also Giovanni Ribisi gift brothers and also having come steal dare 50 car in one night to conserve Ribisi’s life native a gangster), flaunting the fact that he’s defended by the police, and using black slang to obstacle it in the face of his black color pursuer, by ending his taunts with, “aiight!?”.

Sure, this scene can have to be the common trope of “one bad guy can’t hurt one more bad guy since the police room suddenly there”.

But the usage of, “aiight” together a taunt, native a White man to a black man, clears all benefit of doubt. That takes would might be a common baddy vs. Baddy scene and turns it into White male triumphing over Black guy by hiding behind the legal system.

And Now, DMX

At one point in the film, Mirror male makes fun of one of his White man crew members for their musical taste, and also then place on “Up In Here” by DMX, prior to which, saying, “this is various than that cracker music you’re used to”.

Which is precisely what a Black human would say if that black person had their dialogue composed by one old White person.

DMX was part of a wave of artists the ushered the 90s into the 2000s: sonically, v his Dame Grease and also Swizz Beats-led production and also stylistically, through his almost sing-song flow.

No one would ever before accuse DMX of singing, however his flow is super melodic. Nowadays, every other rapper sings. Yet DMX made the cool in a time where also Nelly was derided because that his sing-rapping.

Unlike some of his contemporaries that have had long-lasting careers, (he’s in a helluva class) X’s career is an ext or less identified by his 5 platinum, and also multi-platinum, albums released in between 1998 and also 2003.

And perhaps even an ext accurately: DMX’s optimal was might 1998 come December 1999, 18 month in i m sorry he released his very first 3 albums that have, to date, marketed 13.2 million copies. Unreal.

At the revolve of the millenia, then, DMX is one of the largest affect on i know well Hop: on what it sounds like and also what it talks like.

In hip Hop, that feels prefer there to be a difference between “when the 80s ended up being the 90s” and “when the 90s ended up being the 2000s”.

A lot of Hip Hop artists that were huge in the late 1980s, didn’t survive the at an early stage 1990s, vice versa, artists whose careers started in the early-to-mid 90s (Nas, Snoop Dogg, Jay-Z) have actually careers that stretch come today.

DMX go not have that kind of longevity.

Therefore, DMX may be the many “end the 90’s beginning of 2000’s” rapper that all-time. No various other rapper melted as brightly in the critical 2 year of the millenia, just to have actually their irradiate diminish so quickly thereafter.

“Up In Here” could be the start of tendency Hip Hop’s 2000’s, the means (and I have proved this beyond a zero of a doubt) Gone In 60 seconds is the bridge in between 90’s and also 2000’s activity films.

Using “Up In Here” would be the many self-aware point Gone In 60 Seconds did, if they were (and I’m like, really certain they weren’t) do this link at the time.

Cage and also Ribisi’s last surname is Raines.

So that course, the poor guy make the efforts to usage their name in a threaten metaphor.

It’s appropriate there, right? It’s tee’d up? You would certainly think.

Instead, as soon as slamming the call down, poor gangster male exclaims, “it never ever rains yet it pours”.

My jaw dropped. Practically anything would certainly be better.

“When lock raines, ns pour”. Even leave the “es” since he’s Russian/Eastern European.

Did they intended this gangster man to be a goofy, bad-at-English (because that’s for this reason funny) stumbly bumblefuck? If so, it in no method comes throughout like that. Instead, we’re all left sit in a pool of stumbly, bumblefuck writing.

3rd the 3 WTAF Dialogue moments in gone In 60 Seconds

Ladies, This Movie Could’ve been So lot Better

Remember when I said Gone In 60 Seconds was full of cars? Yea, it’s not though. At least, not sufficient for a movie who entire concept revolves about stealing 50 cars.

In the opening scene Ribisi steals a Porsche from an at home dealership display. Climate no one steals a car for an entire hour of display time.

See more: What Does Omega Psi Phi Mean ? Omega Psi Phi

There isn’t also the montage of stealing the 50 dare in one night!

Like, c’mon, carry out the thing we came to see friend do!

You might have had a dozen different stealing situations, quick clips the weird/funny circumstances. You can have had actually the man crossing the names turn off the board together the cars come in. An additional guy city hall the clock, count down the time remaining, “1 hour….30 minutes”. You can have had sweet shots of beautiful car driving really fast through Los Angeles. For a movie complete of cliches ns don’t even think lock pretended to be a valet once!

Instead, at one point Nicolas Cage simply asks his guy something like, “how numerous is that?” and the man says, “48”. That’s it. That’s just how they tell us we’re obtaining into crunch time.

In an answer to, “48”, Nicolas Cage literally says, “woo hoo”, and not in the cool, twichy, methed-out way Cage might have stated “woo hoo”. Just a phoned-in, boring onomatopoeia that sums increase the entire movie. Gone In 60 secs is, besides, that course, gift the definitive action movie that the beginning of 2000’s – the minute where us say this is where the 2000’s started – an unenthusiastic exclamation the excitement that could’ve been so lot more.