According come Greek mythology, an oread is a nymph, a free-spirited wild woman who wanders happily v the woods, hills, and mountains. She symbolizes the fervor of life, the elan an essential or vital life-force the imbues life. As such, she is suitable for the spirit of this poem which is about the freewheeling wildness of nature. The persona in the poem (the human speaking within the poem) might be an oread herself since she addresses the sea as though she's on a first-name basis through it, in communion with it. "Whirl up, sea", she says, as though it will certainly respond to her command. Words "oread" is acquired from the Greek indigenous "oros" definition "mountain" (the oread is mainly a mountain spirit) which, in turn, is acquired from the Latin indigenous "oriri" an interpretation "to rise up" (a hill is other that has risen up). The meaning "rise up" is important due to the fact that the human in the city (perhaps the oread herself) is calling upon the trees and also sea come "rise up" and express your vigour and vitality : "Whirl up, sea - - /whirl her pointed pines . . ./hurl your green over united state . . . ."

The poem's main photo is faint since, when she addresses the "sea" it's not details whether she way the sea that water or the sea of jaw trees. It might be either. A woodland of pines looks choose a sea during a storm when the wind blows the trees this method and that, and also their sharp, pointed tops look prefer cresting waves, and also the multitude the swaying green branches prefer a environment-friendly turbulent sea. As soon as she asks the sea to "splash your good pines/on our rocks" it might refer to the tree branches damaged off throughout a storm and also crashing to the earth below. Similarly, a sea that water deserve to look choose a pine tree forest throughout a storm (the wavecrests prefer pine-tops), so the image works both ways.

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This poem is a call-to-arms, asking the forces of nature to "whirl", "hurl", and also "splash" us v their "pointed" weapons. However the on purpose is no to destroy us, but rather to arouse us to life. The persona seems, at one point, to determine with the "rocks" when she says, "splash your good pines/ on our rocks." If she is choose a rock, climate she would be a lifeless, unmoving object. In that case, she could not be an oread yet perhaps just a being who covertly longs to it is in an oread. In questioning the pines to splash her, she wants to be awakened, brought back to life (back to her true oread nature) by the environment-friendly life-energy that the trees and also sea. She desire the clues of the pines to pierce her, so that her innermost being have the right to experience the freshness and force of nature. She wants the "green" come "hurl" itself over her, so she have the right to be overwhelmed and also captivated by its beauty and liveliness. She walk not want to be a bystander. She desires to be covered and submerged in nature.

"Green" is vital colour here due to the fact that it is the colour of chlorophyll i m sorry is the essential element of plant-life and also therefore that life itself. A jaw tree, with its stubborn branches and also sharp needles, is fierce through life, and also thus appropriate to this poem. V their bristling needles, pine trees look electrified. The persona desires to feel their electricity. She desires to endure the greatness of these "great pines."

The sound in the city make you feel you are in the center of a storm. You deserve to hear the wind roaring in the "ir" sound that "whirl", "hurl", "cover", "over", and also "fir". You can hear the explosive force of the storm in the plosive consonant of "pointed", "pines", "pools", and also "splash". That sounds together though the water and also wind at first meet resistance from the rocks and also trees, yet then pierce through. Countless words room onomatopoeic in the poem, for this reason imitating the sound that the storm. "Whirl" starts with a yielding consonant imitating the uninhibited fury of the storm. The yielding "s" in "sea" conveys the very same effect. In "splash" you deserve to hear the tide at very first rolling in uninhibitedly in the "s" sound, and also then meeting the resistance that the coast in the "p" sound, yet finally break through and lashing the end in the "sh" sound. The sound that the foam or maybe the sound that the rain is echoed in the "s" sound in ~ the end of "pines", "rocks", "us", and "pools". If the persona feels favor a rock, she have to feel confined since "rock" (in the singular form) pertains to an abrupt protect against with its tough "k" sound prefer the sheet of a rock. You can also hear the cry that life in the assonance of "green" and "sea." The long "ee" vowel sounds like life, aroused by the storm, is screaming the end to proclaim the existence. The assonance, consonance, and also onomatopoeia because of this dramatize the sound of the waves, the wind, and the life cry of nature.

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The size of the present is mimetic too. You might imagine every line to be prefer a separate wave crashing top top the shore, through the first and fourth lines being much shorter waves. Or you can imagine every line being a wavecrest, part higher, some lower. The unevenness that the present could additionally imitate the erratic rage of the storm, blowing things helter-skelter. It's suitable that the last heat is the longest due to the fact that it "cover(s) us v your pools the fir", leave you totally covered and also overwhelmed.