One of many kind of moments of foreshadowing in the play is in act 1, scene 4, as soon as Romeo"s friends are wanting him to go to the Capulet"s sphere. In lines 113-120, Romeo expresses that he fears the party is a stepping rock to what will be his untimely death. Of course, his words are foreshadowing the tragic finish of his partnership with Juliet, whom he meets at the Capulet"s party.


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Shakespeare"s Romeo and also Juliet doesn"t begin with foreshadowing, however through foretelling.

CHORUS. ...From forth the fatal loins of these two foesA pair of star-cross"d lovers take their life;Whose misadventur"d piteous overthrowsDoth, with their death, bury their parents’ strife. (Prologue, 5-8)

The Chorus ...


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Shakespeare"s Romeo and Juliet doesn"t start through foreshadowing, but through foretelling.

CHORUS. ...From forth the fatal loins of these 2 foesA pair of star-cross"d lovers take their life;Whose misadventur"d piteous overthrowsDoth, with their fatality, bury their parents’ strife. (Prologue, 5-8)

The Chorus tells the audience what"s ultimately going to take place. There"s no mystery about that. What the audience does not recognize is how it"s going to happen, or if anypoint else unrelated to the "star-cross"d" lovers" deaths could happen alengthy the method.

However before, Shakespeare does maneras to infusage a small little of foreshadowing into the Chorus"s foreinforming of the finish of the play.

CHORUS. A pair of star-cross"d lovers take their life... (Prologue 5)

This is a very subtle play on words, the interpretation of which becomes clear just once Romeo and also Juliet take their own lives—if anybody actually remembers what the Chorus said in the fifth line of the play while they"re watching Romeo and also Juliet kill themselves "2 hours" later on.

With this Prologue, Shakespeare sets up rather an obstacle for himself. Since he tells the audience what happens at the finish of the story, Shakespeare hregarding write a really good play to save the audience"s interest, especially because the basic story of Romeo and Juliet was renowned to his audience.

Tright here had been three fairly recent publications of the story of Romeo and also Juliet, consisting of Arthur Brooke’s narrative poem, The Tragispeak to Historye of Romeus and also Juliet, publiburned in 1562—which scholars take into consideration the main resource of Shakespeare"s play—and Giuletta e Romeo, by Matteo Bandello, published in 1554, and Luigi da Porto’s Giulietta e Romeo, publiburned in 1530. Other theatre service providers in London were additionally perdeveloping their own versions of the Romeo and also Juliet story.

However, the question arises that if the audience knows what"s eventually going to occur, is the foreshadowing in the play really foreshadowing, or is it sindicate a reminder of what the audience has already been told?

Most of the faux-foreshadowing in the play involves the deaths of Romeo and Juliet, however also what seems favor foreshadowing of events affecting other characters really isn"t.

In act 3, scene 1, Benvolio advises Mercutio that that they must gain out of the streets to stop meeting any Capulets:

BENVOLIO. I pray thee, great Mercutio, let"s retire.The day is warm, the Capuallows awide.And if we accomplish, we shall not scape a brawl... (3.1.1-3)

There is a brawl, of course—which comes as no actual surpclimb to anybody—in which Mercutio is eliminated by Tybalt, and Tybalt is killed by Romeo,

Tybalt seems to have actually foreshadowed this unfortunate turn of occasions at the Capulet"s feastern in act 1, scene 5, when Lord Capulet tells Tybalt ssuggest to endure Romeo"s presence, and not reason any kind of trouble.

TYBALT. Patience perforce through wilful choler meetingMakes my flesh tremble in their various greeting.I will certainly withdraw; but this intrusion shall,Now seeming sweet, transform to bitt"rest gall. (1.5.94-97)

The confrontation between and also among Tybalt, Mercutio, and also Romeo was unavoidable, and also Tybalt simply foretold that somepoint negative was going to occur, which it did. The audience can not have actually foreviewed the level to which something poor was going to happen, however they absolutely knew that something poor would certainly take place.

The situation is a lot the exact same as in Hamlet, after Hamlet tells Hoproportion what the gorganize of his father sassist to him.

HAMLET. There"s ne"er a villain dwelling in all DenmarkBut he"s an arrant knave.

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HORATIO. Tbelow demands no gorganize, my lord, come from the graveTo tell us this. (1.5.134-138)

Foreshadowing isn"t foreshadowing if the audience knows what"s going to happen, or if what happens—like a serious confrontation in the street between sword-moving significant characters from warring families—can easily be forewatched.